Origin of Digital Species Essay -- Internet History Essays

Origin of digital SpeciesLev Manovich1 and Simon Cook2 argue that the mesh and digital culture should be understood as a product of late Victorian and Modernist visual homunculuss, but it is the oddment of this paper to show that the internet and digital culture, eyepatch heavily influenced by these visual forms, is not the sole product of them, and that the time period surrounded by 1930 and the present day must also be included when analyzing the storey of the internet. The best illustration of this point is the similarity and yet fundamental end between the cinematographic experiments of the Soviet Constructivist Dziga Vertov and the modern visual jockey artists known as the NomIg Collective. By analyzing the art forms that make up on the internet it is achievable to see how they are related to the preceding forms of art that existed in the times from which Manovich and Cook claim the internet to be a product.Before the scathe Late Victorian, Modernist and Post-mode rnist visual forms are used, it is important to define what is meant by from individually one of these terms, and to explain how they are all in essence connected to each other. During the Victorian era the conception was transformed. Starting with Darwins theory of evolution, the world of science crecendoed into a period of rapid discovery and accelerated e mankindation that was previously unknown. It was out of this boom in the intellectual world that mans desire to possess all knowledge began to seem more(prenominal) of an achievable goal and less like medieval lore . It was around the Victorian period that all modern forms of classification are began to blow up Encyclopedias, Dictionaries, Museums are Libraries -to name a few forms- started to grow into their modern form as common tool... ...tov the need to refer to the cinematographer and the camera as machines that can engineer a product as well as any other piece of machinery. However, NomIg makes no self references, there is no portrayal of the computer or the human as anything specific in their work, and so they leave out a basic tenet of the Modernist manifesto.When the internet and digital culture is analyzed through the types of art it inspires it becomes clear that while the foundations for computers and artistic technique are a inspired by and part the product of late Victorian and Modernist visual forms, it is not possible to skip the effect that postmodernism has had on these art forms. To understand digital culture, regard should be given to both the Modernists who created the scientific framework and the Postmodernists who created the subject matter to exist within that framework.